A CHAIN OF DAYS 
 
   
They tell 
me how jail cells cleanse the soul, 
How hard 
nipples of silicon implanted breasts have a quality of egg yolk, 
The sky a burden of sweat and peroxide, 
How window casements shake with a current in rain. 
I am a lonely old man who cannot remember the 
past— 
Yet I know the honey locust has thorns sharp enough to 
break skin 
And fruit from the persimmon tree will stop an eye from 
twitching. 
How much of anything is true enough? 
I raise my hands high over my head and bend back my 
neck. 
Muscles pull at 
my calves and force my feet to their toes. 
Punishment is 
always harder on the one punishing, 
The crime between her legs is silk and rose blossoms and 
the soft fabric of terrycloth. 
They explain the way an accident can happen and how 
something done on purpose can 
 be an accident, 
too. 
Rain washes away stains, bad breath, easy smells sweet as 
sweet oil easing the tension of 
 
 
 
 mucous 
caught in the ear. 
They tell me how the autistic distinguish darkness from 
danger, how the whole 
 distinguish a blemish from a 
scar. 
When morning comes, they will tell me more 
secrets. 
They will allow the rain to continue to fall. 
Some of them will not be able to look me in the 
eyes. 
I can tell them how silicon implants are like rocks 
behind felt. 
I can tell them how missiles are made of flesh 
I might even explain the motion necessary to break 
through the initial skin between legs. 
Rain holds 
magic. Alone, it offers me a chance to sleep. 
BIPOLAR 
 
  
Do you know how your head is a mumble of thought 
and the devil pushes its way to the front of the 
line? 
No, not that 
devil. 
Hell is frigid temperatures and gonorrhea, 
everything plaid and self-compacted, 
your worst pet peeve sitting in the desk to your 
left 
and someone very disturbed angry at your right. 
You are, after all, a pet peeve too. 
So where is the geography for heaven? 
In the room where the suicide bomber rapes his 
virgins? 
The home of fundamentalists unable to identify 
gray? 
 
 
 
 
Nothing smells 
worse than a hospital corridor. 
LAVENDER 
 
  
A gentleness in the lavender of touch, 
Soft against another, sheets 
Organically blue cool and full of clouds. 
One day Cupid wakes to find his arrows stolen 
Enters earth on footed wings. 
Angry and puzzled, he finds them 
In a park near a grove scattered and dull, 
One shaft broken. In the trees he hears joy, 
Good wine, beauty, a whisper of lips. 
How trite. One lover fingering the palm of 
another, 
A message so secret everyone knows its depth. 
Touch comes in color, it’s that easy. 
Cupid leaves with everything he has lost 
Bits of his 
anger clinging to the grass 
Flowering into 
large bosoms of rose, 
Rosemary, lilies of the field, golden tulips, 
A naturalness of water falling from a ledge, 
Warm and comforting, trite like a French kiss. 
  
 
 
 
Michael H. 
Brownstein has been widely published throughout the small and literary presses.  
His work has appeared in The Cafe Review, American 
Letters and Commentary, Skidrow Penthouse, Xavier Review, Hotel Amerika, Free Lunch, 
Meridian Anthology of Contemporary Poetry, The Pacific Review, 
Poetrysuperhighway.com and others.  In addition, he has nine poetry chapbooks 
including The Shooting Gallery (Samidat Press, 1987), Poems from the Body Bag 
(Ommation Press, 1988), A Period of Trees (Snark Press, 2004), What Stone Is 
(Fractal Edge Press, 2005), I Was a Teacher Once (Ten Page Press, 2011) and 
Firestorm:  A Rendering of Torah (Camel Saloon Press, 2012).  He is the editor 
of First Poems from Viet Nam (2011).
 
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