Saturday, September 3, 2022

3 Poems by Ralph Monday

 
The Moon Rose Red

You know how it is
when you look at the
red moon.  Without watching
the moon would not be there.

This is the same when you
walked through snow
thinking of the slow grouse
someone would hunt and roast
for Christmas dinner

not out of necessity--from
the way that definite dark
things are loved, light in the
hidden octopus, the eight
fingers tracing inky punctuation
marks in black clouds puffed
out by an attempt to say goodbye
where your hands gesture to the sky.

That same moon can be pulled from 
your red lips as though on a magician's 
string, eaten and swallowed and your name
whispered as Rose Red, where without
watching, Ursa major would not climb
down out of the sky and be the stellar
bear that you would make a prince.

You know this from all the times peering
into the morning looking glass, wet and
naked from the shower, yesterday's
pretensions peeled away, today's portents
risen from the earth as a solid fragrance
where you must leave footprints in the dew
that will never be tomorrow's same.

This is the necessity that comes from creating
the moon.  The hearth where ashes once warm
cool and you hear the embers cry out Rose Red,
Rose Red, wear the moon as a wedding dress,
silver stars as slippers.  Eat the crumbs of clouds
before the beggar's table.  Set the wine to be
shared only by the songbird, and carefully feed
it seeds that you have gathered.



Narcissus and Orpheus Hangout

An unlikely pair to become confidants,
a songbird, self-lover in reflected
                                     water.

For the modern age they are like gamblers
in a casino spinning the slot machine
                                      for

lady luck to appear in swishing skirt
and pearl necklace.  They would prefer
                                      the

smoke-filled barroom, any vacuumed
mask to hide behind, for that is their
                                      nature,

one of underworld moments continually
running from the milk-filled sun.
                                      Here

they sit having a little wine, a good smoke,
reminiscence about presenting garlands
                                      of

roses, sweetmeats to all the pouty-lipped
things that they entranced
                                      when

they lived in the light like two geese
fluffing feathers before the long migration
                                       south.

Narcissus knows they are not so different,
like twin contrails following a plane 
                                        toward

an inevitable destination.  He says,
if we could get above ground one more
                                         time

you would be like Sting or Jagger playing
the gig and oh how the groupies would
                                         flock

to the show.  You would be a god, man,
and use your head in more ways than
                                         one.

But why would I do this?  I love only
one woman that the gods decree cannot
                                         be mine.

Illusion.  That which is dead is dead.
You can never go back to that which never
                                         was.

For me, I seek only the hunt and those
who can find no reason not to eat from a 
                                         forbidden tree.



The Daimon Love of Cupid and Psyche

Listen up and heed the amour of Cupid and Psyche
flung into the love abyss tormenting all.
Underworld entangled they watched TV and all the loves
of the world.
This is how the story goes.
Once upon a time in a land far far away, a king and queen
had three beautiful daughters.
Psyche, the youngest, hot as a tamale off a grill sent shivering
thrills through every romance-covered lover boy.
They all wanted to make her their tow, offered her all kinds of
stuff:  roses that wilted before the delivery boy got them there,
glittering jewels pulled from a pharaoh's plundered tomb,
Victoria's Secret lingerie, watermelon, and coconuts, and 
Chinese spiny fruit, all little delectables eagerly brought out 
by myth boys.

This rerun is good, said Psyche.
Lousy gifts, Cupid said.

Now, as the saying goes, hell hath no fury like Venus scorned.
What's this! Being a Leo, the beguiled and gown adorned love
goddess shouted, they pray to that stupid girl, offer her gifts
meant for me, neglect the proper worship of mine divine beauty,
lips as red as rare roast meat, cheeks rouged cherry pink, my hair 
freshly washed from the kitchen sink.  This will not stand!

So, the evil witch having hung out with Snow White,
commissioned Cupid to do her dirty work like a mafia
hit man.

Cupid was sent flying on ratty wings, circling and diving,
flailing through the air like one of Wile E Coyote's falls,
down to earth from heaven sent, on a mission to stab
Psyche in an arrowed arse, but alas, as bumblings do,
mistook the arrow for a lollipop, lollipop,
oh my lollipop, scratched his own meddling tongue.

Now, instead of Psyche, lathered and arrowed up
falling in love with Shrek, Cupid now runs around
like a lovesick schoolboy thinking every day is Valentine's,
pining and moaning and begging Psyche for at least a touch
of her big toe.

Unmoved, as immortals are, Psyche had heard about
glorious Narcissus, but alas, in love with himself,
Psyche's curls moved him not, so he drowned kissing
his own pool-mirrored visage.

Hera, a bit jealous herself, goes to Zeus and says,
If you expect any love tonight, throne boy, give
that golden hussy over to Venus!

Zeus, remembering the scene with Leda, and being a 
swan-pecked middle-aged god-hubby threw poor Psyche
at Venus' bespeckled, sandaled feet, like tossing Cinderella
from the ball.

Now my pretty, Venus cackled.  I have three chores for you
to do (it's always three, you know).  She turned Psyche over
to Frankenstein's helpers, Worry and Sadness, in their S&M
dungeon.  Instead of bringing out the Iron Maiden, they toss a
flotsam of stuff at her to pile into heaps before dawn:
1000 Harlequin romances, all the I Love Lucy reruns, 500 golden
goose eggs, 80 eight-track tapes, and a couple of bags of
emptied rice.

Taking pity, an itsy-bitsy spider came crawling along.  Tsk tsk,
he said.  This is too much for a poor girl.  Went about blowing 
on his magic horn, and lo and behold! two French hens, three
turtle doves, and a partridge in a pear tree came and sorted
out the junk in a jiffy.

Venus comes stumbling in at dawn, drunk as a skunk, enraged
because Brad Pill and Gilgamesh both turned her down,
even more pissed when she sees the neat piles like wrapped
Christmas presents.

Oh, smart aleck girl, Venus slurred like a buzzed pigeon.  You
ain't done yet! You gotta go upstate New York and cross
the Hudson.  On the other side is a bunch of mad mad goats
with copper Brillo pads for fur.  Get me three bushels my sweet.
I need a new bra.

So off Psyche went, skipping like Little Red Riding Hood
at the dance.  The goats munched on tender grass and pawed
the ground like being in a Mexican bullfight, eyeing the pretty
tamale on the other side.  Just after Psyche dipped her lovely
toes, a beaver popped his head out, then two more beavers,
a score of toothy smiles each with a basket loaded down with
WalMart Brillo.

Venus, still an unsatisfied goddess lush, gave one final task,
complete and be free of her grasp.  Get thee to the underworld
vagabond girl and fetch me some pretty face cream from Persephone
so that my jowls may always be like Spring.

That's not how the story goes, Cupid said.
No, it's not, Psyche replied.  Give me the clicker.  I wanna watch
reruns of Goldilocks and the three bears.




Ralph Monday is Professor of English at Roane State Community College in Harriman, TN.  He is widely published in journals.  Books include All American Girl and Other Poems, 2014. Empty Houses and American Renditions, 2015. Narcissus the Sorcerer, 2015. Bergman's Island & Other Poems, 2021. The Book of Appalachia (forthcoming), and a humanities text, published by Kendall/Hunt, 2018. Vol. 2 of the humanities text is expected in 2022.  Twitter @RalphMonday.  Poets & Writers https://www.pw.org/directory/writers/ralph_monday




3 Poems by Cleo Griffith

 
Dear Entity of Creation,

Just a quick note of appreciation.
I'll just let this fly in the wind,
don't know how to get it delivered,
perhaps one of your wondrous creations
will bring it to you -- the wind, a bird,
a spark in the universe . . . 

I really love what you've done with the place,
the variety, you've really tried to give something
for everyone, we try to take care of it, get a little
sidetracked along the way sometimes, too enthused
over our inventions, like plastic, but then you
know all this, right?  See, that is what we don't 
always know.  Are you tracking us, paying attention?
'cause a lot of us feel on our own and for some
that is worrisome -- with others the result is worrisome
when they take on too much power and there is 
no restraint from you.  Did you mean for us
to go on without you?

An occasional reminder would be helpful.
Anyway, thanks again, I really love it on the whole.
Have a few suggestions, if you're paying attention,
you've heard.
Sincerely,
Your humble tenant,
me



Penguins

Pertinent as penguins
you would scold
when I mis-spoke,
or flimsy as flamingos
when I would disagree,
turn away my childishness
with humor, but, still . . . 

My child-self loved the words,
sought command, mastery,
sought commendation.
Your facetious reply-habit forced my silence
but not my continuance.

So I hoarded my vocabulary,
held it close as skin,
unshared,
and even now do not reveal
the wondrous catacombs
of my secret thesaurus.
How warm it keeps me.



Those Quick-Thought Days

There is a tiny creature
that lives within my consciousness,
as old as I, or nearly.
Her voice is tiny
but persistent
and she is nourished by
invention and creativity.
She has snoozed away a lot of time
over these many volatile years,
sometimes by my command,
sometimes of her own volition.

On those quick-thought days
when we awaken together,
production is ample, we smile.
Some days go by, day after day after . . .
we rest, until one of us makes a demand,
then we may work together without
spark, yet find a flame somewhere and
burst out with heat and color!

Funny how that can happen
as we trudge along like sullen kids,
just going through motions,
dragging empathy behind us.




Cleo Griffith has been on the Editorial Board of Song of the San Joaquin for eighteen years.  Widely-published, her poems have recently appeared in Blue Collar Review, Lothlorien Blog, and Wild Roof Journal.  She lives in Salida, California with her guard-cat, Amber.




3 Poems by Dana Yost

 
Wedding Photo

One of my cousin's children
dug it up online:
a photo and writeup
of my parents' wedding from 1959,
the photo showing my mother
at all of 17, smiling, blond,
glancing downward at the camera,
I wonder what was said
between her and the photographer,
between her and my father
on that memorable day,
between her and my grandmother,
who surely was worried about
the new hands my mother would be in.
I wonder if my mother had any
foreshadowing of what was
to come:  the five children,
the eleven grandchildren,
the cancer that she fought
for eleven years then finally 
stilled her heart.  Even the second
marriage after my father died young.
If she's had any foreknowledge,
would she have gone through with it,
would she have still
said yes and gone on to live
as she really did, with the good,
the hard days in front of her,
the days to be proud,
the days of difficult decisions,
the days of re-wallpapering
the big old house,
the days of sitting, worn out,
in the sunroom addition,
cigarette in one hand,
lighter in the other,
a deep breath,
then the inhalation
of menthol.



Lavender

In a marshy field,
park management
mowed down rows
of sumac, leaving
the hard roots exposed,
waiting to die.
It was a way to clear
off unwanted bush,
I suppose, and a reminder
that not everyone
likes everything that grows
--some see a nuisance,
some see something
unpretty that they are
content to let wither,
then fade away.
Life is like that, too,
and I feel a thud
in my heart as I stand
over the field,
a loss, an emptiness.
Later, we travel
to the Loess Hills
where someone
is growing lavender,
turning its oil
into soap, handkerchiefs,
wall art, cooking spice.
A reminder that the prairie
gives life, often in abundance,
and my heart rebounds.
I buy a kerchief, wrap
it around my neck
and inhale the fragrance.
It smells like prairie,
but more:  like life itself,
and I want to lay
in the garden, butterflies
and dragonflies lighting
on my toes then blowing
where the wind takes them,
toward the hills, the sky,
toward freedom.



What Holds You

One of those days when you were sure
she was not going to live but a few hours more,
and you thought about your childhood with her,
you thought melancholy things,
you thought about her reading books
to you when you were two, three,
and the way that shaped the rest of your life, 
you thought about walks in the small town
under elm trees that later died of disease,
and about how she cooked you white rice
sprinkled with cinnamon, not because it was
a delicacy but was what she could afford
on your father's meager pay.

You thought about losing her,
what memories you hadn't yet
shared with her, what stories
from her own path she hadn't yet 
told you.  But then she woke
from sleep and said she felt
better and she lived yet another
night and another day and things
continued on, and you still thought
the things you thought, undaunted by death,
because you knew it was coming,
would come and then it did,
and you lay there next to her,
as if waiting for another memory,
yet you felt nothing but grief
        beginning its slow, long
wend into your soul.



Dana Yost was an award-winning daily newspaper editor and writer for 29 years.  Since 2008, he has published eight books, most recently last fall's novel, Before I Get Old.  He is a three-time nominee for a Pushcart Prize in poetry.  He has lived his entire life in the rural Upper Midwest.




3 Poems by Paul Tristram

 

Uneven Condiments

[BLAST Furnace]
endeavours 
. . . allow no
'small fry'
Entrance Points.
We're Back
from 'Farewells'
. . . and,
confused as to 
Pecking Orders,
Seating
Arrangements,
and Genuine,
seamless layering.
I confess . . . 
to giving Nothing
. . . away . . . 
but Taking
both Swiftly
and Carefully
with eyes lowered.



Draconian Waiting Room

You have lied . . .
your Heart
tastes Burgundy
. . . not Black.
You are full
. . . of Pause
not . . . Hollow.
Your Control
. . . is not Cold,
but Ladylike
when viewed
. . . Correctly.
I feel your
[withheld]
Embrace
. . . hovering,
tantalizingly
. . . almost,
just nearly, there.
And I await
. . . like
'Tomorrow
looking 
backwards
in Anticipation'
. . . for your
[Hidden] hand
to findally
be . . . Revealed.



Anticipation (. . . To Shadow)

When a Soul seeks out Light,
it steps first
from Dark to Shadow.
Waiting to Blossom,
the Aura vibrates,
and the Glass of the Heart,
now switched
to Half-Full,
for a change . . . 
beats musically,
and more Determined.
Ready for Experience,
any (once) Chains
which bound and trapped
the Moods and Spirit . . . 
disintegrate.
The Mantle of Sorrow
becomes Wings of Expectancy,
and a Fresh Journey
is only moments from Beginning.




Paul Tristram is a widely published, Welsh writer, who's currently up to his elbows in Magic, and long may it remain this way.




Saturday, August 27, 2022

Three Poems by Gary Beck

 
Wounded Land

Children leave the school
single file,
hands over heads, 
intently watched
by armed cops
looking for a shooter
concealed with the innocent,
tensions so high
one accidental move
might make an intense cop
open fire.


Memories

When I was a young girl
my family went to New Smyrna Beach,
a small, sleepy Florida beach town
for much of the long winter.
I walked the beach
collecting sea shells.
Sometimes I found a conch,
brought it to my ear,
listened to the eerie sound
of the ocean
and didn't return it to the sea.
Now that I am old
my grandchildren and I 
still visit New Smyrna Beach
that now teems with tourists.
We walk the beach
but there are no shells.
When I tell them that once
there were flocks of shorebirds
they pretend to listen,
but their thumbs are busy
texting their friends.


Forgotten Flights

Old Grey Wing keeps telling us
of the pelicans of old
as we try to nest on the little island,
forced to fly when humans come
interrupting his tale of our fathers.
Sometimes the humans come
after dark, forcing us to fly
in the dangerous night,
some too tired at first light
to hunt for fish.
We try not to notice
those who make their last flight
and we try to ignore
old Grey Wing's tales
of flights of hundreds
in great Pelican V's,
filling the skies,
not like today
when the most we see
are flights of 8 or 9
that can't agree on a leader.



Gary Beck has spent most of his adult life as a theater director and worked as an art dealer when he couldn't earn a living in the theater.  He has also been a tennis pro, a ditch digger and a salvage diver.  His original plays and translations of Moliers, Aristophanes and Sophocles have been produced Off Broadway.  His poetry, fiction and essays have appeared in hundreds of literary magazines and his published books include 35 poetry collections, 14 novels, 3 short story collections, 1 collection of essays and 7 books of plays.  Gary lives in New York City.



A Poem by Brigitte Goetze

 
Stage Three:  Emptiness

After the hurricane had shattered
several windows, these openings
for the storm to flood
your living room, grief, 
that great remodeler, showed up,
assessed the wreckage
and, with a heavy heart, you
consented to the necessary
demolition of the ruined parts.

You watched grief rip out the sodden carpet,
pull off the buckled linoleum, take down
the soggy sheet rock.  Though reluctantly,
you assisted with pushing the furniture
into the center of the stripped floors,
even held two corners as grief spread
a clear plastic sheet over the islands.

Now, the work done for the day, you look out
through newly installed windows, hear
the hollow sound of your steps
echo as you wander in the cavernous
spaciousness of the skeletal rooms,
the revealed structure of the house
both familiar and oddly foreign.

At last, you cook a simple meal
in the gutted kitchen, the stove and the fridge,
like sentinels, the only ones left standing
one offering past harvests, the other
a means to make something
out of it.



Brigitte Goetze, a retired biologist and goat farmer, likes to listen to the never-ending conversation between the biological and spiritual dimensions of life.  Understanding the influence of natural forces on all-that-is offers new perspectives for our challenging times.  Her website can be found at:  brigittegoetzewriter.com



Two Poems by David Chorlton

 
Bogart

The sky takes off its night mask.
Early walkers open wide their doors
and bring the pavements back to life
step by careful step
with a new day tugging
at its leash.  Going all to pieces says
the neighbor lady and Hell
is the end of the street.  She's eighty-six and spent
last night dancing to forget
the state the country's in.  She woke up
with inflation on her mind and began
worrying where she left off before
sleep about people pouring across
the border.  She never looks up
at the mountain with its rippling spine
that was here before this was
a country.  She insists that everything 
was better before special effects
took over movies, and she smiles a friendly smile
to say and there are so many
shootings now, everyone should have a gun
while she taps her head to indicate the problem's
only crazy people. And remember 
it wasn't only Bogart: everybody
smoked in movies then.



Street Hawk

The fates left him
a city to live in.  Oh, he perches
in the highest tree at sunrise
to survey the wide green fairways and sharpen
his gaze on the whetstone
awakening grass becomes
then fans the primaries with centuries
of open land trailing
from his tail, but the ground beneath him now
has a human face.  He's making a landscape
out of asphalt
and turns the placid sky
into a storm
when his wings are wide and he slices
through an urban flock
with history's wind
in his bones.



David Chorlton is a transplanted European, who has lived in Phoenix since 1978.  His poems have appeared in many publications online and in print, and often reflect his affection for the natural world, as well as occasional bewilderment at aspects of human behavior.  His newest collection of poems is Unmapped Worlds from FutureCycle, and The Bitter Oleander Press published Shatter the Bell in my Ear, his translations of poems by Austrian poet Christine Lavant.